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May 10, 2011

Audiovisual Orphan Works in Europe – National Survey

For the British Film Institute

This study provides a general overview on how the different EU Member States deal with the problem of audiovisual works. The research revealed that the majority of the European countries (EU27 and Norway) do not have mechanisms in place that allow the use of orphan works and in particular of audiovisual orphan works. Only the Czech Republic, France, Hungary, the Netherlands and the Scandinavian countries have implemented solutions to deal, at least partly, with orphan works.

PDF: EN

Apr 10, 2011

Study of the Revision of the Cinema Communication

For the European Film Agency Directors (EFAD)

KEA conducted research on policy options for the revision of the EC 2001 Communication on certain legal aspects relating to cinematographic and other audiovisual works. The so called Cinema Communication establishes a set of guidelines to assess state aids to cinema. The study gives an overview of the way in which the Communication has been applied and issues concrete suggestions for a legal framework that that better responds to the specificities of the cinema sector. The study is not in the public domain.

Mar 20, 2011

Artistic Interventions to Stimulate Innovation, Sustainability and Inclusiveness

Policy recommendations for Tilt Europe – Creative Clash

Creative brokers or intermediary organisations whose function is to establish the relationship between artists and organisations now exist throughout Europe. The aim of this document is to highlight their contribution to a smarter and creative Europe. It is also to consider policy recommendations to support artistic intervention as part of a wide range of policies (education, skills, social cohesion, innovation, entrepreneurship and culture).

PDF: EN

Jan 18, 2011

Mapping the Cultural and Creative Sectors in the EU and China, IPR2

For the China Ministry of Commerce, the European Commission (IPR2)

KEA has been commissioned to compile a ‗Working Paper Mapping the Cultural and Creative Sectors in the EU and China in the framework of the ‘EU-China Project on the Protection of Intellectual Property Rights‘ (IPR2). IPR2 is a project funded by the EU and Chinese authorities with the overall objective of supporting China‘s smooth integration into the World Trading System,
and of contributing to its transition to the market economy.

PDF: EN PDF: CH

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